House Grand Auditorium

Posted in Gear

House Grand Auditorium

in progress

www.houseguitars.com

Josh House is a young luthier from Southern Ontario. He came to a concert of mine a few years back to show me a guitar he made. If it wasn’t his first one, it was one of his first instruments. It was a good guitar, not great, but you could tell he had talent and was well on his way to making great guitars. Over the next couple of years he showed up several times with new instruments, each a huge improvement over the last. Now he’s building first class guitars. It’s been great fun to watch him refine and develop.

So now he’s building this one for me. It will be a spruce top, mahagony sides and back with a beveled bout (for comfort, plus it looks very cool) and sound holes cut into the top side (for the benefit and joy of the player). I had to sell a spruce/mahogany Perry guitar a few years back and so I am looking forward to this as a replacement - there is something about the particular spruce/mahogany combination I’ve always loved.

I’m quite eager to get it but I think it will be a few months yet before I do. Josh has been busy with new orders and also preparing to get married soon. I’ll post pictures and my thoughts on the guitar after I’ve had it awhile. It’s like waiting for a child to be born, wondering what unique features there might be…how will the guitar itself influence your playing… what sorts of songs it will inspire. We’ll see…

-Steve B.

 

   
   

 



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Drumheller Circle - from the albums Romantics and Mystics / Steve Bell Band Live

Posted in Song Stories

Click here for Guitar Tab of Drumheller Circle

My guitar playing has been most profoundly influenced by Bruce Cockburn and Leo Kottke. The independent (alternating root / 5) thumb thing I got from Bruce, and much of the (right hand) percussion I got from Leo. Both players are unique with quite different melodic sensibilities, but both have a similar capacity to make the guitar the "whole band" which is why it is sometimes disappointing to see them perform with others - the magic of the "band in a box" is lost.

Drumheller Circle was written after seeing Leo Kottke perform live at the West End Cultural Center in Winnipeg. It’s a small, funky theater which seats perhaps 250 max and hosts the most amazing concerts. I already knew a lot of Leo’s material and was looking forward to discovering what crazy tunings and techniques he used to get his outrageous melodies, chords and unique percussiveness. I was quite surprised to discover that most of his material was written and played in standard or simple alternate tunings (drop D); Theme from "The Rick and Bob Report" (My Father’s Face/ 1989) is a particular example. Leo seems determined to wring every possibility out of these two familiar tunings.

At the time I was experimenting with all sorts of tunings to rescue myself from going to the same old places musically. But I went home that night with a renewed appreciation for the carrying capacity of standard and drop D tunings, determined to wrestle a few more tunes out of them. Drumheller Circle was the result of that determination.

When I first started to play the song publicly I didn’t have a title for it, but found myself telling the story of my early guitar days as a boy in Drumheller Alberta; my father was a prison chaplain at the federal penitentiary in Drumheller and the inmates used to use the chapel Saturday afternoons to have jam sessions. Occasionally I was allowed to go in, sit in the corner and watch the guys play - some were quite exceptional. But I was quite eager to learn to play myself and when the inmates discovered this, they invited me to join the circle.

Not having a guitar of my own, I joined the Jr. Sales Club of Canada and started selling Christmas Cards to get the money to buy a guitar - Dad told me he’d match me dollar for dollar and I had my eye on a Hofner Acoustic ($120 w/hardshell case, strap and pick - ooooo!) After several months I had 60 bucks, Dad matched it and I started showing up every Saturday afternoon to sit in a circle with Canada’s most unwanted men who taught me to play the guitar. I was eight, I was in heaven and to this day adore those men for taking time to teach me.

Anyway, several months after I started performing this song, and telling this story, my manager Dave finally suggested I call it Drumheller Circle and I have ever since.

A few years ago I was invited back to Drumheller prison to perform a concert for the inmates in the same chapel I learned to play in. Obviously, for sentimental reasons, I was eager to go back and play there. It never occurred to me I’d know anyone, or that anyone would remember me after all those years. But I did. It was so very wonderful and so very sad to see old friends after all those years. It was the first time the awful reality of "life sentence" hit me. Is this really the best our imagination is capable of?

 

 
icon for podpress  Drumheller Circle / Live [2:15m]: Play Now | Play in Popup | Download


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Jazz and the Holy - by Jamie Howison


Jamie is the priest at the Anglican church Nanci and I worship. He is also the co-writer of a couple of my songs: Old Sage, Hear our Prayer and May it be Done. The following is an article he wrote that made it into the National Jazz Museum in Harlem website. Jamie told me the story of Reggie Workman after his return from N.Y. last winter. I thought it was a great story/reflection and am pleased the museum did too…

-Steve B.

A chilly Thursday night in January, and I find myself sitting in a fairly cramped meeting room at the 126th Street office of the Jazz Museum in Harlem. There are about sixty-five of us here, sitting on stacking chairs, sipping coffee from disposable cups and snacking on the veggies and cookies set out as the evening’s hospitality. Some are chatting, while others leaf through the complimentary copies of the various local jazz publications that have been set out for us. Although there are a few younger people here, most of us are on the other side of our 40th birthday, some by more than a decade or two. Well over half the group is African-American, and as the evening goes on it becomes clear that many have deep roots in – and deep affection for – this community of Harlem. Two rows in front of me sits a young bass player visiting from Finland, accompanied by his parents. Coming to New York appears to be something of a musical pilgrimage for this young man, to say nothing of his mother, who at a couple of points all but explodes in delight over the fact that her son is here in so storied a place as Harlem. To my left sits the veteran drummer Rudy Lawless, while on the other side of the room is the vocalist Melba Joyce, both of whom over the years have worked with an amazing array of jazz greats.



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One day… but not too Soon - by Tim Huff


My friend Tim Huff runs a ministry in downtown Toronto called ???? They ride bikes throughout the core at night bringing medical supplies, and small comforts to street kids who don’t want to be seen. Tim himself rides several nights a week into the wee hours and has often sent me brief stories of his encounters. Here’s one:

 

April 2007

3am. Not the ideal time to be up and writing… but indeed the time my heart tells me. There is an underworld of night-crawlers sneaking through the city while it sleeps. Dozens of individuals that eat from trash bins after midnight, and only feel safe to explore the world by moonlight. Lost souls, purposely hiding.

When I reached Eddie beneath the bridge, he was inconsolable. I sat closeby and just waited until he could bring himself to speak. But before that ever occured, I noticed two things. One - something was missing. Two- something stunk. Before Eddie could gather himself up, I put things together.

"Where’s Shiloe?" I leaned in. Eddie wailed even louder. So I stood and followed the smell. I lifted the grey army blanket resting beneath the concrete beam, and there he was. Shiloe, dead.

When Eddie ran from his abusive home nearly a year ago, he took his best friend with him. The only one he could trust. The family do, Eddie’s solace since age 5, "Shiloe." The one he clung to at night during dad’s dgrunken outrages, and the same one he clung to in the hidden alleyways of the inner city.

There is another group of people who roam in the darkest hours of the night… these are the night-feeders; those that prey on others. Those that steal, and beat, and hurt others to feed their weakened bodies and confused minds. When old Shiloe tried to protect Eddie from the night-feeders, faithful in a way only a good dog can be, he paid the ultimate price. They stabbed him to death. Faithful to the end.

Eddie finally stuttered out his words. Told me what he wanted. It wouldn’t be the first time, or the last, that I have stumbled around fuzzy lines of health issues or property acts. But… we carried Shiloe’s old brown and grey body through the shadows for about a kilometer. Then we spent an hour with some old pieces of board, digging a grave at the side of the railway tracks, where they would walk.

Many of you reading this letter have a dog at your feet, or a cat curled up on your lap even now. Others will see them on walks in the park later in the day, or at the end of the street. Today when you experience your cherished pet, or see someone else so likewise (especially a boy and his dog)…won’t you say a prayer for Eddie? And for the countless "Eddies" running, hiding, and doing their best day-to-day, across the nation.

As we stood over the secret grave, Eddie said, "I’ll see you soon Shiloe." In a terror I have known too well, I put my hands on his shoulders and said "One day. But not soon, okay? Not soon."

Love. Pray. Act. Believe.

Written with teary eyes and hands that still stink…

Wearily, Tim  


Tim Huff has just written and illustrated is first children’s book, The Cardboard Shack Beneath the Bridge / HELPING CHILDREN UNDERSTAND HOMELESSNESS. It
is available at most bookstores, including Chapters, Indigo, all Christian bookstores, Augsburg Fortress Distributors and the Castle Quaye Books website. Visit
www.castlequaybooks.com

Castle Quay Books will also be publishing Tim’s upcoming book, Bent Hope: A Street Journal which includes many stories such as the one above. I’ve read the book several times and am each time moved by the tender dignity by which Tim portrays his street friends and aquaintances. It’s an important read.


-Steve B.

 



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Next time say Hi!

Posted in Journal

My trip to Ethiopia has changed me somewhat, but not in a way I expected. One does expect that an encounter with the poorest country in the world would have an effect, "maybe I’ll be more compassionate, perhaps I’ll be more grateful." And those are both true to some extent. But a conviction growing in me far stronger than the impulse to greater generosity and thankfulness, is the conviction that I simply must consume less: less energy, less food, fewer commodities; consume less pleasure, less beauty, less water, less time.

Consumption is the process by which we lay ahold of something in order to use it up, leaving only waste. Simone Weil suggests that much ill comes from "eating what we should only look at." Yet we in the West have become the high priests of an empirical religion defined by the twin commandments ‘commodify’ and ‘consume.’ And so we commodify all things: people, relationships, experiences, art, health, ministry, even protest. Recently I read that that as bio-genetics becomes the new growth industry of this century, there are already companies attempting to patent certain genes so that, for instance, if you want to genetically alter something (like a potentialy "faulty" fetus, for example) you just may have to purchase the rights from the owners. Walter Brueggeman calls this increasingly unassailable trend/religion ‘Theo-capitalism.’

Anyway… from the Bread for the World website I learned that if we took all the arable land in the world and divided it equally between each person on the planet, our individual allotment would be roughly nine acres. In Ethiopia, the average farm family survives on less than five acres - some much less. In Canada, about 30 acres of land is required to sustain the lifestyle of the average individual. And here’s the kicker… for everyone on the earth to live the lifestyle of the average Canadian would require the land resources of four or five more earths. It’s a stat that keeps playing in my head like an unwelcome song.

So I’ve begun the deliberate, albeit pitifully slow process of learning to live with less. One of the first things I have begun to let go of is the luxury of a fully lit home. Simply put, I turn off lights in rooms no-one is in. It seems like such a small gesture, but having begun to attend to this, I am a bit surprised by how wasteful we have been with our "right to light."

I have also decided to drink less coffee. Actually, this has taken on the form of a fast where I don’t drink coffee at all during the week. But happily, in true orthodox fasting tradition, Sunday is feast day! - and one musn’t fast on feast day. Yay! Other than insisting on fair trade coffee, I’m not sure if this helps anyone else very much , but it does help to teach me, as Dallas Willard once said, that there is nothing wrong with the world when I don’t get what I want.

I’ve also begun to make Wednesdays more of a deliberate fasting day. I don’t collect or even look at emails all day and only access the Internet at all if my work requires it. Brueggeman says that the purpose of fasting is to break the false assumptions, loyalties and linkages we’ve unwittingly allowed sovereignty over our lives. It’s amazing how hard it is to go a whole day without checking email. But it has really helped me face the reality that perhaps I’m not as important as I think.

I have also begun to eat only plain bread for breakfast and lunch (on Wednesdays). No big sacrifice here, but it does serve to focus one’s prayer on the reality of so many millions who don’t get enough food never mind the endless varieties, delightful combinations and opportunity to experience food mearly for pleasure or entertainment.

These are such puny starts. But already, in such a short time in the shallow waters of asceticism, I have begun to experience the world as less disappointing, less boring, less frightening. I’ve even had moments of near rapture, or joy. My priest says it is the fast that makes the feast!

Another change… I have started taking the bus and leaving the car at home. This has been a more demanding change. Out lives revolve around the assumption that process is evil (time wasting) and product is divine. There is so much good to do, how can one justify getting less work done because it takes longer to get there? Yet in our increasingly obsessive pursuit of productivity, so much is lost and so much damage done; environmentaly, communaly, bodily. Yet it already occurs to me that I don’t need the (second) car at all. Nanci’s work demands it, her job often requires her to travel out of town. But my work doesn’t. I can adjust to a slower pace and so I should. "We can’t do everything, but what we can do, we must do." So the current plan is to sell the second car and redirect the roughly $400 a month it takes to keep a car on the road in order to upgrade the insulation on our older home which often gets frost on the inside walls during winter.

Now that I’m learning to slow down, to walk, to take the bus, I’m feeling much more connected to neighborhood, my body, and to my surroundings. I’m starting to recognize people on the street and have even begun to wave to some who are beginning to seem almost like fond aquaintances even though we may not yet have spoken. It’s nice.

The other day, I was asked to come sing at the opening of a homeless shelter (Siloam Mission) in downtown Winnipeg. This wasn’t a media event, it was the actual first-night availability of 60 new beds for folks that don’t have access to one. When I got there, the doors were not yet open and there were several dozen people waiting in line to be let in. John Mohan, the executive director, assured everyone of their absolute welcome. Then he read a scripture, said a prayer and asked me to sing a song before the doors opened. As I was singing, I recognized a woman standing patiently in line. Afterward I made my way over to her to learn how it was I knew her when it suddenly dawned on me - "I’ve seen you on the bus!" She smiled warily at me and said, "My name is Kristine. Next time, say hi!"

I look forward to it.

 



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The Prophetic Imagination by Walter Brueggemann

Posted in Books

The Prophetic Imagination Walter Bruegemann

1978 Fortress Press

 

The task of prophetic ministry is to nurture, nourish and evoke a consciousness and perception alternative to the consciousness and perception of the dominant culture around us.

Reading this book is certainly a watershed event in my life. Sometime in the early 90s, Jamie Howison (priest of St. Benedict’s Table), Larry Campbell (Unlikely Icon, bass) and I studied this book together once a week for several months at a diner on Main St. that offered a hamburger so large that if you could finish it, you didn’t have to pay for it.

Ironically, the book is about the reality of the church of North America living in the most powerful, most consummative Empire in history.

Empire, Brueggemann asserts, with its religion of static triumphalism co-opts and domesticates any alternative vision, cannot permit a free God who is not subordinated to the Pharaoh/King, and maintains itself through a politics of exploitation and oppression.

Tracing the history of an alternative consciousness (the Kingdom of God) to the Royal Consciousness of empire, Brueggemann begins with Moses’ exodus from Egypt, calling it the "primal scream that permits the beginning of history. His exploration continues through to the birth of Jesus which "created a new historical situation for marginal people that none in their despair could have anticipated."

All the while, Brueggemann is conscious of his place in history, living as a beneficiary of an empire incomparably greater than Egypt or Rome. In such times, the prophet 1. dares to criticize the empire’s social practices and mythic pretensions and 2. evocatively imagines, articulates and energizes an alternative community toward a new future whose politics of compassion and justice reflect God’s freedom.

As I’ve thought about this book over the years, and Brueggemann’s description of the prophetic ministry being twofold: criticizing and energizing - I am quite aware that the first is much easier than the second. But smug criticism without imaginative energizing is a bogus prophetic ministry and one we/I see (and practice) too often.

Walter Brueggemann (I believe) is currently Professor Emeritus at Columbia Theological Seminary in Decatur, Georgia. And this book, The Prophetic Imagination, was voted as one of the “Top 100 Religious Books of the 20th Century” by a large panel of regular contributors to Christianity Today.

Other books of Walter Brueggemann I’ve read are:

Finally Comes the Poet: Daring Speech for Proclamation. Augsburg Fortress Publishers, 1989.

The Message of the Psalms: A Theological Commentary. Minneapolis: Augsburg, 1984.

Awed to Heaven, Rooted in Earth: Prayers of Walter Brueggemann. Fortress Press, 2003.

Inscribing the Text: Sermons and Prayer of Walter Brueggemann. Fortress Press, 2004



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Just a-walkin’ the Dog!

Posted in Journal


I
walk Daisy (we didn’t name her) most days for 45 minutes or so. And that’s just me. She gets walked at least one other time every day by someone else in the family. If Nanci is walking her, it’s more likely to be an hour to an hour and a half. Daisy is an energetic little Jack Russel we picked up last fall through the Pet Rescue organization. And she’s already changed my life - mostly because now I walk.

I’ve always disliked almost any physical exertion. I hate riding bikes, I hate lifting weights. I joined the gym last year and went diligently for a couple of months but eventually stopped going and canceled my membership. Too much work getting there, changing, publicly humiliating myself, changing, going home, laundry.

But this walking thing is okay. I’ve gotten to know my neighborhood and am starting to wave to folks who are becoming familiar simply because I pass by - not in a car. Yesterday there was a little boy on the front step of a house a few blocks from here. He was distressed and said, "mister, I can’t find my grandpa!" Apparently he was playing on the computer but when he came out of the room, his grandpa was nowhere to be found. I took his hand and we looked in the back yard, the garage and out down the back lane. I rang the doorbell, but there was no response. I eventually went in fearing maybe his Grandpa had fallen or had a heart attack or something. It feels weird walking though someone’s house uninvited, but I checked every room, all the while getting more concerned that something might really be wrong.

We did find Grandpa in the basement. He must be hard of hearing and was puttering away at something down there. "Sonny!" he said with an affectionate thick east-European accent, "I would never leave you!" He shook my hand and thanked me and Daisy and I were on our way.

I‘ve also dropped about 10 pounds. That can’t be bad. I heard a statistic that roughly 60% of Canadians are overweight. The cost of our poor physical health to the health care system is roughly the same amount of money Canada has committed to global poverty relief (Millennium Development commitment 2000) but according to Stephen Harper, it’s a commitment we can’t afford to honour - and so we don’t.

Is it reasonable to think of walking as a meaningful and practical way to love others - a gesture of kinship?

This morning was glorious! The sun was blazing but the air was still cool. Kids were rushing to beat the bell. A friend recognized me as he drove by on his way to work and we exchanged fond greetings. As we strolled along I started noticing how much garbage was strewn over lawns and boulevards and began to pick up as I walked, always discarding each time we passed a garbage can. Suddenly and unexpectedly I was overwhelmed with happiness - not ecstatic or anything, just happy.



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Iida Mandolin

Posted in Gear

Iiada Mandolin

Honestly, I can’t tell you much about this instrument. I was at a music festival about 20 years ago and while the bands were changing on stage, the sound man put on an album of a female bluegrass singer singing traditional bluegrass gospel songs. The singing and playing was some of the finest I had ever heard. You must understand, I was in no way a fan of bluegrass music, but this was so wonderful I went running to the soundman to ask who’s music it was. It turned out to be Emy Lou Harris’s Angel Band album.

click image for larger view

The next day I found it in a store and played the thing endlessly for about a week. I was so charmed by the mandolin playing (Vince Gill, as it turns out) that I took my electric guitar (a Yamaha - can’t remember the model) and walked into a local music store that had this mandolin hanging on the wall. The mandolin was selling for a fairly high price (over $1000) but apparently had been there for quite awhile and the store owner was anxious to get rid of it. I asked him if he would do a straight trade for my Yamaha, he said yes and I walked out with this instrument.

 

Since that time, I’ve hacked away at mandolin. I do play it on my albums but one must not consider me a player. I concieve particular parts and then spend hours in the studio trying to get them right. The end product sounds like I kinda know what I’m doing but that’s just smoke and mirrors.

I tend to want to pick as far away from the bridge as possible - towards the headstock. The closer you are to the bridge the thinner the sound gets. But as a result my pick was always clicking on the neck of the guitar so I had Darryl Perry scallop the neck from the last half a dozen frets.

Click the image for a larger view.

For those concerned about the rubber band woven through the strings at the tail piece, that is simply to stop the resonant vibrations of the strings on the dead side of the bridge - sounds cleaner.

-Steve B

 

 



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